Products related to Figurative:
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Bodies of Work—Contemporary Figurative Painting : Contemporary Figurative Painting
Human forms can be intensely intimate or broadly universal.Here, figurative artists use the human form as a tool to express varied content and contemporary issues.These paintings depict our feelings and sentiments, our sense of belonging to a larger community in the contemporary world, while capturing the impulses behind the range of figuration presented by today's contemporary international artists.Portraitist Marlene Dumas presents figures in a gritty, unsentimental manner, evoking the essence of the human condition, while Kerry James Marshall paints the life of African-Americans in the twentieth-century, employing recent historical review to document the social challenges.British artist Jenny Saville paints the figure in massive scale, combined with an overt, never-ending interest in the pure rendering of human flesh.Hope Gangloff paints her figures as characters, intimate friends, and acquaintances, narrating a drama from their canvases.An important resource for those interested in contemporary figurative painting.
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Symbol : The Reference Guide to Abstract and Figurative Trademarks
Symbols play an integral role in almost all branding programmes.This book explores the visual language of symbols according to their most basic element: form.Over 1,300 symbols from all over the world are included.These are organised into groups and sub-groups according to their visual characteristics, and are indexed by sector, designer and client.Case studies of classic symbols are also featured, making this an indispensable archive of identity systems for designers and researchers.
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Figurative Painting with Collage
Collage is an innovative and exciting technique that invigorates the artistic process through unusual associations and dislocated imagery. This practical book shows how collage can be used to portray the figure in new and challenging ways. Written for both novices and experienced artists, it explains the fundamental techniques used to manipulate different paints and collage, whilst encouraging experimentation and individual development.
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Wonder Women : Figurative Art of the Asian Diaspora
Genny Lim s poem Wonder Woman ,first published in 1981, follows a narrator who observes the everyday lives of Asian women across generations, countries, and socioeconomic backgrounds wondering if their experiences reflect her own.The poem centers Asian women as its protagonists and asks what commonalities exist between these women. Often underrepresented in museum collections and important exhibitions, Asian American women and non-binary artists are now receiving recognition: This book expands on two landmark shows, curated by Kathy Huang, at Jeffrey Deitch in New York in May 2022 and Los Angeles in September 2022, organized in response to increasing anti-Asian racism and violence during the COVID-19 pandemic. The forty featured artists, each represented with five paintings and a personal statement, subvert stereotypes and assert their identities in places where they have historically been marginalized.While some featured artists explore identity through self-portraiture, others depict the heroines in their lives, offering works that highlight family, community, and history.Several of the works address colonial and patriarchal structures in the West, legends, and myths.With newly-commissioned essays and paintings created within the last four years, this book is a current, open-ended collection of contemporary Asian American experiences.
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Which German songs contain figurative language?
Some German songs that contain figurative language include "99 Luftballons" by Nena, which uses the metaphor of balloons to symbolize the threat of nuclear war, and "Du Hast" by Rammstein, which uses the metaphor of marriage vows to explore themes of commitment and betrayal. Additionally, "Über den Wolken" by Reinhard Mey uses the metaphor of flying above the clouds to represent a sense of freedom and escape. These songs showcase how figurative language can add depth and emotion to the lyrics, making them more impactful for listeners.
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How do I recognize figurative language?
Figurative language can be recognized by looking for words or phrases that are not meant to be taken literally. This can include similes, metaphors, personification, and hyperbole. Look for comparisons, exaggerations, or descriptions that go beyond the literal meaning of the words. Figurative language is often used to create vivid imagery, convey emotions, or add depth to the meaning of a text.
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What other figurative holy objects are there?
Other figurative holy objects include the cross, which is a symbol of Christianity and represents the crucifixion of Jesus Christ. In Hinduism, the lotus flower is considered a holy symbol, representing purity and enlightenment. In Buddhism, the wheel of Dharma is a sacred symbol, representing the teachings of the Buddha and the path to enlightenment. Additionally, in Islam, the Kaaba in Mecca is considered a holy object, as it is the most sacred site in Islam and the direction of prayer for Muslims around the world.
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Can you help me with figurative language?
Of course! Figurative language includes techniques like similes, metaphors, personification, and hyperbole to create vivid imagery and convey meaning beyond the literal interpretation of words. I can provide examples and explanations of different types of figurative language to help you understand and use them effectively in your writing. Feel free to ask me any specific questions or examples you would like to learn more about!
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Introduction to Figurative Art and Portraiture Diploma Course
Step-by-step guidance in body and facial anatomy, approaches to capturing figure structure, and work-along projects using a variety of mediums and techniques.
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The World New Made : Figurative Painting in the Twentieth Century
A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art.The World New Made explores the work of more than fifty individual painters, presenting a collective ‘Resistance’ who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence.A rich cast is brought to life, partly through their own writings.As the author argues, ‘All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.’
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Metaphor from the Ground Up : Understanding Figurative Language in Context
Metaphor from the Ground Up introduces Conceptual Filtering Theory, a theory of mental processing that describes figurative language communication in terms of conceptual domain projection and contextual disambiguation.In an attempt to match theoretical observations from cognitive semantics and pragmatics with related knowledge about mental processes from cognitive neuroscience, CFT first examines the distributed nature of conceptualization and then uses this background information to explain metonymic “binding” and metaphoric “mapping.” Once the perceptual origins of metonymy and metaphor have been demonstrated, CFT offers a detailed account of how salient aspects of conceptualization differentially combine to achieve predictable inferencing results in linguistic communication.In addition, CFT characterizes the role of contextual effects in pruning salient inferencing options and demonstrates how situational frames can be manipulated to guide semantic outcomes.The book as a whole will assert that figurative language processing cannot be characterized in terms of a generically constituted base system that receives inputs and spits out predictable results according to logical probability in a situational vacuum.Rather, it is a dynamic, context-sensitive process that continually reweights the underlying system so as to rapidly select situation-relevant lines of inferencing from among a variety of salient inferencing options.
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Lexicon of Common Figurative Units : Widespread Idioms in Europe and Beyond. Volume II
The book continues the work of Widespread Idioms in Europe and Beyond (2012) and also brings new insights into the similarities of the European languages.Using comprehensive data from 78 European and some non-European languages, another 280 “widespread idioms†have been analyzed in terms of their distribution and origins.They are arranged according to their source domains (for example, performing arts, sports, history, war, technology, money, folk belief, medical skills, gestures, and nature).Among them are very modern layers of a common figurative lexicon, including quotes of personalities of recent times.Thorough research on the sources of these idioms goes beyond the entries in relevant reference works and brings new and unpredictable results.All of the data in this book adds new knowledge to the fields of language and culture.We now know which Europe-wide common idioms actually constitute a “Lexicon of Common Figurative Units†and which chronological and cultural layers they may be assigned to.The question about the causes of the wide spread of idioms across many languages now can partly be answered.
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What is the difference between metaphorical and figurative?
Metaphorical language involves using a word or phrase in a non-literal way to create a comparison, often highlighting similarities between two seemingly unrelated things. On the other hand, figurative language is a broader term that encompasses various literary devices, including metaphors, similes, personification, and more. While metaphors specifically involve direct comparisons, figurative language is a more general term that encompasses any use of language beyond its literal meaning to create a deeper understanding or evoke emotions in the reader.
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What is the figurative language in Romeo and Juliet?
In Romeo and Juliet, there are various examples of figurative language used throughout the play. Some common types of figurative language found in the play include metaphors, similes, personification, and imagery. For example, Romeo compares Juliet to the sun in Act 2, Scene 2 when he says, "But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun." This metaphor compares Juliet's beauty and brightness to the sun, emphasizing her importance to Romeo. These instances of figurative language help to enhance the emotional depth and imagery in the play.
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What does Hydra mean in a figurative sense nowadays?
In a figurative sense, Hydra is often used to describe a complex or multifaceted problem that seems to grow larger or more difficult to solve the more one tries to address it. Just like the Hydra of Greek mythology, which grew two heads for every one that was cut off, modern-day Hydras represent challenges that seem to multiply or evolve as one attempts to tackle them. The term is commonly used to convey the idea of a persistent and intricate issue that requires a comprehensive and strategic approach to overcome.
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What are the figurative language elements in this poem?
The figurative language elements in this poem include similes, such as "like a bird" and "like a flower," which compare the speaker's feelings to the natural world. There is also personification, as the speaker describes the heart as "aching" and the tears as "falling." Additionally, the use of imagery, such as "crimson petals" and "tears like rain," creates vivid mental pictures that evoke the emotions of the speaker. These figurative language elements help to convey the depth of the speaker's emotions and create a rich, sensory experience for the reader.
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